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・ María Consuelo Araújo
・ María Corda
・ María Cordero Hardy
・ María Corella Manzanilla
・ María Corina Machado
・ María Cornelia Olivares
・ María Corominas
・ María Corona Nakamura
・ María Cristina (film)
・ María Cristina Arango Vega
・ María Cristina Betancourt
・ María Cristina Bridge
・ María Cristina Caballero
・ María Cristina Díaz-Granados
・ María Cristina Gómez
María Cristina Kiehr
・ María Cristina Laurenz
・ María Cristina Martínez Córdoba
・ María Cristina Orive
・ María Cristina Petite
・ María Cristina Pineda Suazo
・ María Cristina Uribe
・ María Cruz González
・ María Cubillán
・ María Daniela y su Sonido Lasser
・ María de Ajofrín
・ María de Barrenechea, 1st Duchess of Dato
・ María de Buenos Aires
・ María de Echarri
・ María de Huerva


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María Cristina Kiehr : ウィキペディア英語版
María Cristina Kiehr
María Cristina Kiehr (born in Tandil, Argentina) is a soprano vocalist associated with Baroque music. After receiving her early musical training in Argentina, she moved in 1983 to Europe and studied under René Jacobs at the Schola Cantorum Basiliensis, specializing in the Baroque repertoire. She performs and records for the Harmonia Mundi label.〔Harmonia Mundi, op. cit.〕
==Overview==
María Cristina Kiehr was born in Tandil, Argentina.〔Oron, op. cit〕
She made her opera debut at Innsbruck in 1988 in ''Il Giasone'', a work composed by Francesco Cavalli in 1649. In collaboration with the harpsichordist Jean-Marc Aymes, Kiehr founded the Concerto Soave ensemble, a concerto in the original meaning of the word, which specializes in Italian music of the early baroque period. With them she has toured many of the world's most prestigious early music festivals, including the Utrecht Early Music Festival, Ambronay, Pontoise, Simiane-la-Rotonde, Semaine Sainte en Arles, and in Montreux, Lausanne, Marseille, and Paris (Cité de la Musique).〔
Her recording of ''Maddalena ai Piedi di Cristo'' with René Jacobs won a Grammy award in 1997.〔(CLB Management (March 2007). "Biography". )〕
Her voice is especially suited to performing the work of neglected Italian female composers of the Early Baroque such as Barbara Strozzi and Francesca Caccini. Though she is known as a champion of little known works and composers, she is also sought after for her interpretations of Henry Purcell and Claudio Monteverdi.

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